Film and TV metadata management made effortless

“I was able to swiftly import the show’s color look from the colorist and effortlessly adapt it to all my camera formats in a matter of seconds.”

“On Doctor Strange in the Multiverse of Madness, we’ve been utilising the latest RED camera with the most up-to-date firmware, surpassing even what REDLine had access to for processing the latest R3D files. We adopted UMeT to extract precise frame-based CSV files for each individual shot, ensuring accurate timecode and lens data integration. With a straightforward script, our data managers were able to efficiently process hundreds of clips daily across various units.”

“Across the post-production pipeline, our workflow heavily relies on metadata to streamline processes, particularly during times of workforce uncertainty. UMeT has proven to be an invaluable tool for us across various projects, allowing us to recover TapeID information that might have otherwise been lost during VFX pulls.”

"Today, one of the most significant distinctions between film and digital workflows lies in the absence of metadata within film scans. If we could find a straightforward method to incorporate camera and scene metadata into film scans, it would greatly enhance the accessibility of film workflows."

“In our natural history projects, Chimp Empire, Altera’s Smart Bins have proved invaluable. We’re able to create over 50 unique bins to filter clips by specific animal names and behaviours. This means we can efficiently transfer only the relevant clips back to the editorial, enhancing our productivity and precision.”